Thursday, April 9, 2020

Collage Series 2: Playing Ball

I enjoyed the whole family pictures idea, so I decided to play with trio of photos my father took of me when I was a small child. He had a double lens reflex camera, the kind you look down into to take a picture. I like how these three pics tell a little story and I have them framed together in my home. I decided to use some of the cloud pictures I have been taking for the last 7 years. When I got my first cell phone, I fell in love with the sky and took hundreds of pictures, something I still do (but not as often). I printed out some skies, and I printed out some me-s in different sizes, and I got to work.

First, I tiled some sky pictures to cover the background. Printer paper in 8.5x11, and the bristol is 9x12, so I moved everything around until I liked it, then taped it down and trimmed the edges. Cutting out the me-s was fun, cut out a bunch more than I used so I am sure they will pop up again sometime. Plus, so cute! Moving them around on the page felt kind of like playing paper dolls. I glued those down and got out the colored pencils.

Playing Ball in progress
At first, I thought I would just color the balls, then I drew one in the corner so she (I) would have something to chase. I posted it to the group, but it didn't feel quite done. A week later I got the pencils out again and kept going.

Collage 2.2: Playing Ball, copyright 2020 Linda Farrelly
I wanted to blend the cloud images together so it looked more cohesive. Also thought the idea of more balls scattered in the clouds sounded fun, so I went for it. I did a little and set it aside, off and on for a few days. Deepened the blues of the sky. Darkened the colors on the balls. Made some shadows. Drew a cloud under the me that was floating in space. I don't think my white colored pencil has ever gotten such a workout! Touched up a few spots with sharpies. I was afraid I would go too far, but I think I stopped at the right time.

It's funny using pictures of myself, especially ones where I was young enough I don't remember anything. It's like looking into another world (and it is, really), or looking at a storybook. Once upon a time, I wore a white jumpsuit and a bonnet, and all I needed was to be out in the sunshine with a ball to play with and I was in heaven.

Tuesday, April 7, 2020

Collage Series 2: Love, Gerry

After the first 5 collages, I had run through my stash of canvas board and decided to try a larger format. Found a 9x12 pad of bristol hiding in the paper stack. Always glad to use what I already have! Saves a trip to the store, saves money, and makes more space (in theory) at home. So, 9x12 for Series 2. I also felt more focused, having tried a few things out in Series 1. I had a better idea of what I wanted to do and how I might go about it.

Collage 2.1: Love, Gerry. copyright 2020 Linda Farrelly
I have been thinking about my father a lot lately. My parents divorced when I was 11 and we moved away, from Long Island to south Florida. It was a few years until I saw him again. By then I was a teenager, and he had been through some stuff, so it was difficult to get close again. The last time I saw him I was 16, and the last time I heard from him I was 18. Feels like a million years ago.

What I remember about him: He had a wicked sense of humor, loved jazz, took lots of pictures that he developed and printed in the basement, and sometimes wrote poetry. He liked to work in the yard, and he could eat like nobody's business. Always stayed slim and strong.
I decided to print out some pictures on plain paper and see what happened. Most of the pics are black and white, but I printed them in color because I like the effect that gives, more detail but also kind of watercolor-like in look. I knew I wanted the letter he wrote to his sister (that was actually scanned in color) for at least part of the background. I printed out a bunch of pics of Dad, not knowing really what I would want to use.

The picture of Gerry with the cigar is a favorite of mine, and it is from the same time period as the letter. I wanted to use a picture of him as a child also, so I auditioned a few until one seemed to fit. Young Gerry is in white with one of his sisters. Using backgrounds from these pics and others, I worked out the composition and started taping things down. The colored pencil was used to highlight certain things, blend other things in, unify the piece. The coloring part was a lot of fun to do. This is the first one that felt personal.



Friday, April 3, 2020

Collages: Series 1

So, my friend Jill from Wisconsin asked me a couple of months ago if I wanted to join her in making a collage once a week and sharing it on Facebook. We decided to post on Tuesdays, and both had a great time trying things out and seeing what the other one did. Here's the first batch I made, using 8x8 canvas board. I had not collaged in a long time, so I painted a background color on the first 3 canvas boards so I had something to start with.
Collage 1.1: Water of Love, copyright 2020 Linda Farrelly
The first collage, Water of Love, was made using postcards from an art show, a couple of magazine pics, and some vellum. The vellum wrinkled a lot when I stuck it on with ModPodge, now that I know better I will try something else with vellum. The orangey-red background was my starting place. I picked things that would work with that color and narrowed it down until I like the composition. When the man with the pitcher found his place, I started hearing Water of Love by Dire Straits in my mind while I continued working. Besides the wrinkling, I am very happy with the composition and overall feel of the piece.

Collage 1.2: Inside Outer Space, copyright 2020 Linda Farrelly
For Inside Outer Space, I was intrigued by a multicolor picture of probably 50 test tubes I found in a magazine. It was pretty large, so as I went along I kept cutting he circles apart a little at a time. I have a roll of funky wrapping paper with maps and globes and some ads I just used for texture to create more circles. These circles complemented the circles of the test tube tops. I was thinking about science, space, the natural world, and how it all fits together. I cut out a sweeping section of the wrapping paper to ground the composition, give it some weight. It is definitely a map, but it also suggests the Milky Way. I wanted to include something from nature (besides planets), so there's a butterfly and a rose to represent the animal and plant worlds. After everything was glued down and the ModPodge dried, I grabbed my markers and played around, adding shading and shadows, working the background. I have a couple of thoughts about what I could have done differently, but overall I enjoyed making it and am pleased with how it turned out.

Collage 1.3: Bees Have the Gift, copyright 2020 Linda Farrelly
Bees Have the Gift was an offshoot of found poetry. The portion in the lower left with the face and yellow highlighted words were cut out of a found poetry page I did at a library class (anythinklibraries.org) last year. Once I find the words, I like to keep drawing with markers until it feels finished. The rest of the paper came from other parts of the book. This one was very relaxing to work on, the first one that wasn't stressful. I find it soothing to look at as well.

Collage 1.4: Sun Island, copyright 2020 Linda Farrelly
This week I had no ideas, so I decided to try torn paper collage. I grabbed a few sheets of colored scrap paper, a magazine, and went to town. Loved the branch sculpture pictures, so that's where I started. The thing I'm liking about collage is the ability to compose on the fly: adding, subtracting, moving, and changing elements. This is the first one that has no drawing in it. Did not need it, and I thought it would take away from the piece instead of add something. I do love the way the paper color looks different on the surface than it does on the torn edges.

Collage 1.5: Super Adventure, copyright 2020 Linda Farrelly
This collage was just super fun! We got three copies of the same advertising postcard in the mail, sent to 3 different people who live here. I threw the postcards, a canvas board, scissors, scrapbooking tape roller, an empty envelope for small pieces, and some markers in my go bag on my way out the door. On my work breaks, I cut things out. Before class began I started arranging the bits, and by the end of class I was finishing up with marker.  It was good to know I could work on something over the course of a day that didn't have room for any art-specific time, and it was easy to carry around.

Sometime during the preceding 2 weeks, Jill started a Facebook group for this. Now we have 6-10 partners in crime. Always look forward to Tuesdays!

Friday, July 19, 2019

Heat Wave



We're in the middle of a heatwave here in the Denver area, it's been at or above 100 degrees for most of the week. Last night’s rain gave us a respite, but it is heating up again today. No yard work for me! I've been watering the pots and planters once or twice a day and then skedaddling inside. Got caught up on my microeconomics homework, cleaned the house a bit, and even had time for some fibery fun.

Last weekend I managed to wet-finish and press the first 7 warps of the sock yarn project. I have a couple more weaving errors to attend to but feeling very pleased with how everything turned out. This week I hope to sew them up into scarves and various other things.

One of the things I have been enjoying about this project is learning to design around the inherent constraints. All the warps are 3 yards long, but there is not a lot of any one yarn and each warp has a different number of ends. Part of the fun and challenge is coming up with color and texture combinations that work, and designs that are interesting in plain weave. I know I could do other weave structures on the rigid heddle, but I just don't want to. I have other looms for that.

warp #1
Warp #1 came out colorful, fun, and has fabulous drape! It has 2 solid warp threads, a red and a pale green threaded (mostly) in the slots, and a variegated yarn of sherbet colors threaded (mostly) in the holes. The pale green was also used for the weft. Unfortunately, this is the warp with the most mistakes and the least-even selvages. There was quite a difference in stretch between the warp yarns, so there are a bunch of skips I didn't see at the time. This is before I figured out the window blind slat trick (see this post) to avoid skips. I’ll have to measure and see how long a length I can get out of it. Might have to be sewn into smaller projects, we’ll see what happens.

warp #2
Warp #2 is lovely, and sooooo soft. I chose sky colors for this one, several kettle-dyed yarns, a variegated with purples and blues, some white Panda Silk, and a solid blue-grey. For the weft, I paired a pale green wool from Silk City and a sky blue Kid Silk Haze that gives it a slight halo. This one is far better technically, with good edges and just a few skips to repair. Definitely long enough for a nice long scarf, and maybe a little something else too.

warp #3
For warp #3, I used a variegated sock yarn in colors that remind me of early autumn and a solid medium green, set into somewhat random stripes. I raided the stash and found a cone of Brown Sheep Nature Spun sport weight in a darker green and used that for the weft. The heavier weft gives it some substance, and I think the color scheme will appeal to both men and women.

warp #4
I had more green yarn and another variegated yarn in springier colors, so for warp #4 I decided to try to gradually shift from one color to other over the width of the warp. I got my calculator out for this one, as the number of warp ends available were not “nice” numbers. The Brown Sheep made a great weft for this one also, yielding another (maybe) unisex scarf. Found another skip as I went to photograph it, but was glad to see that I could not see where I fixed the skips I found before wet-finishing. 

warp #5
Used the Brown Sheep as a weft for warp #5 also. The warp is a marled Wildefoote and some solid green Froehlich sock yarn (how I miss this yarn! Probably my favorite sock yarn ever). I decided to play with texture this time, threading narrow stripes of single ends of marled yarn between stripes of doubled solid yarn. There is just enough contrast, I think, to show off both yarns to good effect. I like the subtlety, and while it looks rather heavy it's actually quite light and pliable. 

I'm going to stop here now, save some for next time. Warp #8 is on the loom as of last night. I tried a couple of weft yarn and wove about 8" before bedtime. Hemmed warp #5 today, getting a couple of others ready to hem so I can put them in my carry-around bag. Good to feel like I'm making real progress. It'll be nice to have some new items in the Etsy shop, and I need to start building up an inventory for the guild sale in October/November. It's always sooner than I think.

Saturday, June 29, 2019

Dr. CricketLove, or How I Learned to Stop Worrying and Love my Rigid Heddle



First 6 warps for my sock yarn destash project

For the past few weeks, all I want to work on is my sock yarn warp projects on the rigid heddle loom. Most of my other projects have fallen by the wayside. That surprised me because I did not always enjoy rigid heddle weaving. I found it clumsy and imprecise compared to weaving on a shaft loom. The stick shuttle frustrated me, and it took a long time to figure out how to beat evenly with an unfixed beater. Direct warping is very efficient, but it didn’t work well for what I found myself wanting to do. I kept putting the RH away, then picking it up again. Over the years, I discovered some workarounds that suit me very well.

First thing to go was the stick shuttle. I did not enjoy unwinding it every pick or so, and when I got caught up in the weaving I often forgot and wrecked the selvage. I decided to use a boat shuttle instead. It seems odd to use an 11” boat shuttle for a 10” wide warp, but it feeds evenly, holds a lot of yarn, and easily moved through the shed without getting caught on warp threads.

I often use the slats from 1” mini blinds as warp separators. They work well, but also have another use on the rigid heddle: I use one to get a better shed. Sometimes the warp thread bundles twist when winding on the warp. When the weaving starts, sometimes that causes some of the threads in the slots to stay low, making it easy to skip over them and causing a flaw in the cloth. Easy enough to fix, but better to prevent it! With the heddle in the down position, put your hands between the two yarn layers behind the shuttle and sort everything out. When the proper threads are all up, slide a mini blind slat under the top warp layer and move it back until it rests on top of the back beam. It won’t interfere with the “up” shed but will make sure the slot threads rise high enough for a good “down” shed. Slide it back onto the beam when you advance the warp.



My favorite warp separator lately is a strip of woven beach mat I bought at Walgreens a few summers ago. I cut it to size using regular scissors, the same width as the warp beam. It fits rather snugly so threads don’t slip off the edge, and as it unrolls while you weave, it is easy to tell how much of the warp you have woven so far. Best of all, the entire mat cost about $2 on clearance. I got 2 strips from one mat, more than enough for any length of warp on my Cricket.

Another tip I heard online somewhere, don’t recall where. Someone said they take the core of a paper towel roll, cut it to size, slit it from end to end and place it on the cloth beam to cover the knots. Works great! The knots no longer distort the cloth as it winds on, and that helps a lot with maintaining even tension. I used to put the mini blind slats into the cloth roll as they fell off the warp beam to help with tension, but I no longer need to bother with that. If anyone knows where this tip came from, I would love to give credit!

Lastly, I have given up direct warping. Since I have other looms, I already own a warping board. I much prefer winding a warp and then threading the loom. It takes up much less space so I can do it when other people are home, and I simply prefer to design that way. It seems to suit my thought process better. If I want a stripe to have an odd number of threads, it takes no extra thought or effort. It also makes it easier to change my mind partway through.

Just one of these changes make a small difference in how much I enjoyed my RH. Taken all together, they transform frustration into joy. If you would like to share any tips that make weaving on your rigid heddle more enjoyable, please post them in comments.

Next time: more on the project!


Wednesday, May 1, 2019

Cure for Society’s Ills: The Arts for Everybody


Hello! As some of you may know, I am going to Front Range Community College part-time to earn an associates degree in business. This spring I decided to get my English credit out of the way. I signed up for ENG121 with Andrew Blade and rediscovered my love for the written word. What follows is the persuasive essay I wrote for that class. I thought it was worth sharing. Enjoy!

Cure for Society’s Ills: The Arts for Everybody
            Violence. Misunderstanding. Bias. Hatred. They are all around in our culture. Something isn’t working, and we all suffer the consequences. How can we better prepare our citizens to be caring, productive members of society? Surprisingly enough, the answer may be engagement with the arts.
            Exposure to the arts encourages the “…balanced intellectual, emotional and psychological development of individuals and societies.” (UNESCO). It helps us to think critically and creatively, learning to think for ourselves and see a range of possible solutions for any given problem. Frustration and despair can be products of restricted thinking: if you cannot see a way out of an unpleasant situation, or if you can only see one way out. That often leads to discord and violence. Practicing any of the arts, however, gets people in the habit of stepping back, assessing the situation, and reflecting on possible solutions. It is simply part of the process of making art. A society of people who habitually assess and reflect cannot help but be fundamentally different, responsive rather than reactive.
            Data collected from art programs in prisons bears this out. Studies of California’s Arts-In-Corrections (AIC) program show that inmates who participated in the arts had statistically significant increases in “life effectiveness skills measured by the attitudinal scales: Time Management, Social Competence, Achievement Motivation, Intellectual Flexibility, Emotional Control, Active Initiative, and Self-Confidence.” (Brewster). The longer they stayed involved in the program, the more they improved and the better able they were to rebuild their lives after release from prison. Artist-prisoners were also much more likely to seek out other educational opportunities available to them.
            There are also benefits for people who are exposed to the arts without actively participating. The experience of taking in a performance, piece of writing, or a physical piece of art such as a painting or sculpture “presents a perspective on reality that challenges preconceived ideas and makes kids look at something from outside their comfort zone.” (Smits). Seeing the world through someone else’s eyes, trying to understand their experience, what it must be like, can only lead us to become more compassionate towards others. If we learn to imagine ourselves in another person’s situation and understand how they got there, it is much more difficult to hate them, no matter how we feel about their actions. Compassion seeks to understand and assist, very different from judgment and condemnation.
            Children and teens who are involved in the arts are more likely than their peers to finish school and be successful. According to Karen LaShelle of Creative Action, “Those who participate in the arts are more likely to do well in math and science and be involved in civics. They benefit from social-emotional learning that helps them manage their emotions, be aware of themselves and succeed later in life.” (Smits). That can make a huge difference, since “72% of business leaders say that creativity is the number one skill they are seeking when hiring.” (Americans for the Arts)
            I know a lot of people think that the arts are a waste of time and money, especially when budgets are strained. There are many other, seemingly more practical subjects we can invest in, like science or vocational training. Those subjects are valuable and should not be ignored. But a balanced approach that includes education in the results in citizens who know how to think and feel, solve problems, express themselves, and actively contribute to society on every level. Involvement in the arts “enhances social adaptability and cultural awareness for individuals, enabling them to build personal and collective identities as well as tolerance and acceptance, appreciation of others.” (UNESCO). Aren’t these the qualities we would like to find in our neighbors, children, co-workers, ourselves?
            The next time funding for the arts comes up in conversation, think about what it means for us, as individuals and as members of society. Are you satisfied with the status quo, people reacting with little thought and no awareness of how their actions might affect themselves and everyone around them? Would you rather see another school shooting or a student production about the difficulties of navigating our culture? Will you support practices that help all of us become better human beings and more conscientious citizens? Like everything else we value, it does cost money to fund the arts. Take the time and energy to talk about this vital issue. Can we afford to support the arts at all levels, for all people? We must find a way. It costs us too much as a society not to.
           

Works Cited

Americans for the Arts. https://www.americansforthearts.org/by-topic/arts-education/10-arts-education-fast-facts. 6 November 2013. 24 March 2019.
Brewster, Larry. "http://www.cjcj.org/uploads/cjcj/documents/brewster_prison_arts_final_formatted.pdf." 2014. cjcj.org. 23 March 2019.
Smits, Jill Coody. "Why all parents should care about art education." The Washington Post 28 July 2017.
UNESCO. http://www.unesco.org/new/en/culture/themes/creativity/arts-education/. 2012. 22 March 2019.

Monday, April 22, 2019

Hello!

It's been a while. Suffice to say the past few years have been interesting. :)

I've been (trying) to work through my stash of leftovers and single skeins lately. Basically, I got the bin and warping board out, made a bunch of 3-yard warps, and wrote down how many warp ends wound up were in each one. When it's time to warp the rigid heddle, I rummage through the warps and combine them to fill the full width of the loom, or as close as I can get. Here's one of the results.





Hoping to have this wet-finished and photographed soon. In the meantime, I hope you have all the fiber fun you wish for yourself!